The Pull List: September 11, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Captain America #11 (Rick Remender, Carlos Pacheco)

Dealing with the aftermath of being trapped in a hostile dimension for twelve years, this issue takes on a more low key tone as it shows Captain America getting reacquainted with the present day.  What this results in is a rather touching character moment as he tries to let go of the past so that he can move forward and protect the present.  Some might find it corny, but I thought it was well done.  Carlos Pacheco's art remains remarkably similar enough to the established look of the book that the transition in artists is seamless; I suspect the colorist is to thank for maintaining consistency.  Nuke's appearance in the subplot assures an interesting set of upcoming issues as it will provide Cap with a nice ideological foil as well as someone to punch.  

-Deadpool #16 (Brain Posehn, Gerry Duggan, Declan Shalvey)

Comedy takes a backseat as the current story arc really cranks it in gear.  Laughs are to be had, but they're more a result of the general setting, North Korea, and some humor can be found if you're really into dark stuff.  I'd like to take a moment and mention that this is a story about Deadpool breaking out of a North Korean prison/experiment camp.  Who doesn't want to read that?  The set-up is a great homage to Barry Windsor Smith's classic "Weapon X."  Along the way there are some very tight action sequences, and once again Shalvey impresses me.  If you're still on the fence about checking out this issue then I have three words for you: North Korean X-Men. 

The Pull List: August 27, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Thanos Rising #5 (Jason Aaron, Simone Bianchi)

The foolhardy and brave decision to place this comic at the top of the weekly read pile was based on the theory that every comic I read after it will be better, so might as well start off with the turd.  I stand by this decision, but it caused me to put off reading comics for a couple hours.  Boy was it bad.  Instead of resorting to offensive language might I suggest that Marvel offer reparations for all the poor souls who went into this mini-series expecting a passable story about Thanos.  Passable was all I needed; it didn't need to be good for I knew to lower my expectations since our world is one with such little goodness left.  It didn't have to be good dammit.  

When you can take a comic that expresses passage of time as "many, many murders" and turn it into something that is way too serious and far up its own ass then you have essentially committed comic book infant murder.

-New Avengers #9 (Jonathan Hickman, Mike Deodato)

Completely unfair reviews returns.  I've a better grasp as to what Infinity is so the lack of fairness is only partially based in not having read all the important pieces of the story.  The main factor in the bias is that I had to read an issue of Thanos Rising.  Someone has to take the fall for this affront, and an event in which Thanos is a key player seems to be a good candidate.  Therefore, damn you New Avengers.  Damn you to hell.

The Pull List: June 26, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Captain America #8 (Rick Remender, John Romita Jr.)

Captain America fights his way through Arnim Zola's interdimensional spaceship fortress castle to save the Earth and his son only for a shocking last second twist.  Though can twists really be shocking when you call them before you even open the comic?  That said, I am interested to see where Remender is going with this reveal.  There's an exchange mid-battle where the bad guy gives voice to some detractors of Captain America who have never read a comic of his.  I liked it, because it recognized some of the complaints while also framing them in the context that people who think like that are also brainwashed psycho-Nazi clones.  The art and story complement each other so well it's uncanny as the bizarre plot elements are given a form so fitting that they make perfect sense.

-Avengers Arena #11 (Dennis Hopeless, Riccardo Burchielli)

Some acceptable character work is done this issue.  It's just a shame that the set-up for it is completely asinine.  Thus rendering the entire exercise pointless.  This series isn't irredeemable yet, but each issue brings it that much closer to the event horizon.

-Nova #5 (Jeph Loeb, Ed McGuinness)

An OK comic book, which is pretty high praise for a recent Jeph Loeb comic.  The plot is weak, but the script lets the art go all out.  It's hard to fault Loeb too much since there are few things I wouldn't do to get an Ed McGuinness-drawn fight scene involving a cyborg tiger with a gun arm.  

-Deadpool #12 (Brian Posehn, Gerry Duggan, Mike Hawthorne)

I think it's safe to say that Deadpool is once again one of my favorite comics without fear of incurring the wrath and scorn of other comic book readers.  The battle with the middleman from hell making a power play ended in a suitable fashion and allowed for all manner of jokes regarding the Marvel universe.  It really seems like a comic for fans by fans.

The Pull List: May 29, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Captain America #7 (Rick Remender, John Romita Jr.)

How do you match Ed Brubaker's astonishing run on Captain America?  By making the first story arc of the Marvel NOW! series a far-out story pitting Captain against a crazy Nazi scientist in a dimension of his own making.  Things continue to race towards the conclusion as not only does Cap have to rescue his adopted son from a fortress full of crazy mutants, but he's also got to stop Arnim Zola from infecting the Earth with a virus that implants the consciousness of Arnim Zola in the victims.  Remender's been firing on all cylinders, and JR Jr. is showing why he's a big name in comics.  His flaws are still present and rear their head occasionally during slow scenes, which is a small price to pay to see him masterfully draw grandiose settings and stunning action scenes.  From the very beginning this has been one of my favorite Captain America stories, so I can't wait to see how it finishes up.

-New Avengers #6 (Jonathan Hickman, Steve Epting)

An illuminati of the world's heroes continue to delve into the mysteries of "the wheel" as they attempt to halt the destruction of their world.  Some of them also continue to question the morality of their actions.  Interesting things occur, things that I like.  That said, the comic is still trending in the "2deep4u" direction, which is a tough and perilous path to trod.  While the comic isn't for everyone, nor Hickman's best work, it is certainly something that keeps me intrigued and coming back for more.

-Wolverine and the X-Men #30 (Jason Aaron, Pasqual Ferry, Pepe Larraz, Salva Espin)

This issue proves to be a good jumping on point for new readers as it manages to take a few of the ongoing plot threads and weave them into a single cohesive story.  In that sense, it's a comic all about setting up the coming conflict between Wolverine's Jean Grey School and the Hellfire Academy.  Wolverine vs. Hellfire (insert establishment here) is certainly a comic that I will be buying.  Nothing particularly stands out, but the previously mentioned convergence of plot points is a hallmark of X-Men comics and their ensemble cast.

DC

-Adventures of Superman #1 (Jeff Parker, Chris Samnee, Justin Jordan, Riley, Rossmo)

This is a collection of three digital first stories.  First up is Parker and Samnee's little episode of Superman taking on a guy tweaking on super meth.  The plot and story are well done, but the best part is definitely Samnee's art.  He brings the Daredevil awesomeness along with him.

Next up is Jeff Lemire pulling writing and art duties.  Two kids are playing and one pretends to be Superman and the other has to be the villain.  Not only is it a good story, but it's a cool way to have Superman battle Braniac, Bizarro, Lex Luthor, the Parasite, General Zod, and Mr. Mxyzptlk in one go.  It culminates in the kid who played the villian this time to call dibs on Superman next time.  The first concedes on the grounds that he gets to be Doomsday, the villian notorious for killing Superman.  Some more banter occurs, and then the final bit of dialogue is as follows:

-"So?  It doesn't matter if he's more powerful or not.  I still get to win!"

-"Why?"

-"Because... Superman always wins"

The final story involves Superman trying to stop Bizarro.  Eventually it turns out it's all a big misunderstanding, since Bizarro says the opposite of what he means.  Superman helps Bizarro help people and the crisis is averted.  The entire comic, all three stories, is a comic for everybody.  Those that already like Superman should greatly enjoy how the man of steel is portrayed.  Those that don't necessarily get or like Superman would probably acquire a better understanding for the last son of Krypton and all he stands for.  Part of what he stands for is hope, something this book is full of. 

IDW

-G.I. Joe #4 (Fred Van Lente, Steve Kurth)

Few things are as near and dear to me as G.I. Joe, so it pains me to admit that I've been a bit lax with keeping up with the exploits of America's daring, highly-trained special mission force.  That changes now with the latest volume of the comic.  The  Joes are currently on a mission to take back a Cobra controlled town.  Things don't go well, but man is it a good comic.  The action is well thought out and executed very nicely.  Small comedic touches enhance the dire stakes, which in turn builds on the overall intensity of the tone.  Fred Van Lente's work on Incredible Hercules is a modern masterpiece, and he is a natural fit for the G.I. Joe franchise.  Despite a few stumbles with background/crowd art this comic has reignited my love for these real American heroes.

Daredevil: a breath of fresh air, except for the part where Captain America is a jerk again

After reading Ultimate Spider-Man and Batman in my quest to become versed in comic books, I wanted to try a slightly less popular superhero. I've heard great things about Matt Fraction and David Aja's Hawkeye, but the first collected edition of that series doesn't come out until the end of this month. So I went with another critically-acclaimed series about a more upbeat superhero: Daredevil, by Mark Waid and Paolo Rivera.

The most immediately striking part of Daredevil is the artwork. While many of today's mainstream superhero comics go for realism in their art, Daredevil features a retro style full of bright colors. It reflects the tone of the series, whose swashbuckling adventurism is in stark contrast to the Serious Business of people in other modern comics like Batman and the Avengers.

Click to see full-size image so you can appreciate it fully

Just look at the cover of issue 1! At first glance I thought the background was just abstract scribbles, but then it hit me: it's actually a detailed cityscape that Daredevil is traversing, and because he's blind it represents his interpretation of that cityscape through his other senses.

The Avengers ruined Spider-Man for me.

I didn't grow up reading comic books. But I'm a fairly nerdy person, and all "geek" culture owes itself to comic books--the original geek culture. Although superhero movies are more popular than ever, superhero comics remain a niche market. So I decided I should start reading some.

Coming of age in the early '00s, I've got a soft spot for Sam Raimi's Spider-Man film trilogy. Yes, I even thought Spider-Man 3 was decent, but that's a debate for another day. So I decided to start my comic book career with Spidey. But even narrowing it down to one superhero, how do I dive headfirst into comics' infamously complex web of multiple continuities and crisscrossing storylines?

I remember hearing back in late 2011 that Peter Parker died, and there was a new Spider-Man. Not only that, but he's a black Latino kid named Miles Morales! There have been a few minority superheroes, but the industry is still dominated by straight white men. Black superheroes like Nick Fury and the Black Panther are only peripheral characters. But Spider-Man is Marvel's trademark guy; it's a big statement that they would make their most popular character a black kid. I liked this a lot, and the series reboot would be a good place to start since I wouldn't have to worry about catching up on Miles Morales' backstory. So I decided I should start by reading Spider-Man.

But of course, I quickly discovered there's more than one Spider-Man comic. Since major superheroes are owned by corporations rather than the individual authors who created them, the most marketable characters often have more than one series by more than one author going on at any given time. Batman has dozens of concurrent series being published at this very moment. Spider-Man, by comparison, only has a handful. But of course Marvel wouldn't be ballsy enough to make the primary Spider-Man comic feature a black kid. Miles Morales is featured in the spinoff series Ultimate Spider-Man. And Miles doesn't even have the spider-suit to himself! Inevitably, there was the crossover miniseries Spider-Men last year, where Marvel came up with a dumb excuse for parallel realities to collide so Miles could meet the "real" white guy Spider-Man, Peter Parker. I'm sure fanboys were pleased.