Showing posts with label All Star Western. Show all posts
Showing posts with label All Star Western. Show all posts

Tuesday, September 3, 2013

The Pull List: August 27, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.


Marvel


-Thanos Rising #5 (Jason Aaron, Simone Bianchi)
The foolhardy and brave decision to place this comic at the top of the weekly read pile was based on the theory that every comic I read after it will be better, so might as well start off with the turd.  I stand by this decision, but it caused me to put off reading comics for a couple hours.  Boy was it bad.  Instead of resorting to offensive language might I suggest that Marvel offer reparations for all the poor souls who went into this mini-series expecting a passable story about Thanos.  Passable was all I needed; it didn't need to be good for I knew to lower my expectations since our world is one with such little goodness left.  It didn't have to be good dammit.  

When you can take a comic that expresses passage of time as "many, many murders" and turn it into something that is way too serious and far up its own ass then you have essentially committed comic book infant murder.

-New Avengers #9 (Jonathan Hickman, Mike Deodato)
Completely unfair reviews returns.  I've a better grasp as to what Infinity is so the lack of fairness is only partially based in not having read all the important pieces of the story.  The main factor in the bias is that I had to read an issue of Thanos Rising.  Someone has to take the fall for this affront, and an event in which Thanos is a key player seems to be a good candidate.  Therefore, damn you New Avengers.  Damn you to hell.

Sunday, June 30, 2013

The Pull List: June 26, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.


Marvel

-Captain America #8 (Rick Remender, John Romita Jr.)
Captain America fights his way through Arnim Zola's interdimensional spaceship fortress castle to save the Earth and his son only for a shocking last second twist.  Though can twists really be shocking when you call them before you even open the comic?  That said, I am interested to see where Remender is going with this reveal.  There's an exchange mid-battle where the bad guy gives voice to some detractors of Captain America who have never read a comic of his.  I liked it, because it recognized some of the complaints while also framing them in the context that people who think like that are also brainwashed psycho-Nazi clones.  The art and story complement each other so well it's uncanny as the bizarre plot elements are given a form so fitting that they make perfect sense.



-Avengers Arena #11 (Dennis Hopeless, Riccardo Burchielli)
Some acceptable character work is done this issue.  It's just a shame that the set-up for it is completely asinine.  Thus rendering the entire exercise pointless.  This series isn't irredeemable yet, but each issue brings it that much closer to the event horizon.

-Nova #5 (Jeph Loeb, Ed McGuinness)
An OK comic book, which is pretty high praise for a recent Jeph Loeb comic.  The plot is weak, but the script lets the art go all out.  It's hard to fault Loeb too much since there are few things I wouldn't do to get an Ed McGuinness-drawn fight scene involving a cyborg tiger with a gun arm.  

-Deadpool #12 (Brian Posehn, Gerry Duggan, Mike Hawthorne)
I think it's safe to say that Deadpool is once again one of my favorite comics without fear of incurring the wrath and scorn of other comic book readers.  The battle with the middleman from hell making a power play ended in a suitable fashion and allowed for all manner of jokes regarding the Marvel universe.  It really seems like a comic for fans by fans.


Friday, May 31, 2013

The Pull List: May 22, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.


A bit late, but what are you gonna do

Marvel

-Uncanny Avengers #8AU (Rick Remender, Gerry Duggan, Adam Kubert)
Here is an example of an event tie-in comic done right.  The comic works to move the actual plot of Uncanny Avengers forward while maintaining the tone and playing on the story beats of the crossover event.  This might be an alternate universe but the actions within still have ramifications for the regular 616 continuity.  Ultimately it gives more backstory for the villains the Avengers are fighting in the non Age of Ultron timeline.  It's cool to see some alternate versions of characters.  Namely the Havok present in this issue offers what some might be a counterpoint to the controversial speech he made in Uncanny Avengers #5.

-Superior Spider-Man #10 (Dan Slott, Ryan Stegman)
With the grasp of the octopus getting even tighter, things begin to slip through the cracks.  This comic is another intriguing entry in what is becoming one of the most different Spider-Man stories ever.  There's no way the true Peter Parker doesn't come back at some point, but having a slightly heroic Doc Ock offers some counterpoints to the traditional morality/ideology that we have become accustomed to with Spidey.

-Deadpool #10 (Brian Posehn, Gerry Duggan, Mike Hawthorne)
No joke, Deadpool is a good comic right now.  It hits action and comedy beats, and neither comes at the expense of the other.  The two elements play off of each other and exist in a harmonious state that Confucius would approve of.  It also provides a less serious, but arguably more entertaining, look at Doc Ock/Spidey's new moral code.  The C-list villian spectacular of a fight is great for a number of reasons.  "I'm the Trapster bitch!" and the inclusion of Lady Stilt Man are just two examples. 

-Avengers #12 (Jonathan Hickman, Nick Spencer, Mike Deodato)
It's another downtime issue for Avengers.  Not that that is a bad thing mind you.  It gives time for some character work and philosophy.  Some might not be too happy with character focus being placed on historically unimportant and cast aside characters, but I don't mind a guy like Hyperion spelling out why exactly godlike beings like Thor become heroes. 

-A+X #8 (Gerry Duggan, Salvador Larroca, Christopher Hastings, Reilly Brown)
Do you like superhero team-ups?  Silly question, of course you do.  That's all this comic is.  Pure distilled action packed buddy adventures.  There are two team-ups within.  The first is Kitty Pryde and Spider-Woman, and it makes sure you don't ever forget that Kitty Pryde is a badass.  The second is a tale about Purple Arrow (Hawkeye) and Ninja Spider-Man (Deadpool) stopping sewer pirates with a submarine from unleashing Lovecraftian horrors.  Deadpool might or might not shoot off Hulk hand trick arrows.  It's a pretty good week to be a Deadpool fan:

-Daredevil #26 (Mark Waid, Chris Samnee)
Daredevil isn't necessarily my favorite superhero comic, but it is without a doubt the best one coming out right now (this is where you insult my tastes)  Waid and Samnee are masters of their craft making the story they are weaving a genuine masterpiece.  The comic appears to be rapidly approaching a conclusion to the initial two years worth of stories.  Everyone should be excited for that.
There's a small little back-up story this issue.  It is potentially the most heartwarming short story ever.  Kids with cancer make a comic about superheroes stopping a giant monster.  The metaphor within the comic is pretty obvious, which is fitting considering the creators are children.  The little twist at the end and the  take away message put this short story in contention for best of the year status.  Marvel should go ahead and make it a free digital comic, because everyone should read it.

DC

-Aquaman #20 (John Ostrander, Manuel Garcia)
Covers lie.  The stuff you see on the front is used to sell comics and at best is a very loose interpretation of an event inside.  Usually they are truthful about the creative team, but that's not the case here where Geoff Johns and Paul Pelletier are incorrectly given credit.  Ostrander is in his element in this comic writing a story about a somewhat secretive, eclectic group of people who are to varying degrees involved with ghosts/spirits/spectres.  It's a entertaining enough story, but it has the most tenuous connection to the current Aquaman meta-story.  In the end this issue is complete "filler."  I tend to enjoy filler stories though.

-Justice League #20 (Geoff Johns, Zander Cannon, Gene Ha, Andres Guinaldo, Joe Prado)
So... this wasn't a very good comic, or at least it didn't deliver much entertainment.  It doesn't warrant much of a plot synopsis besides "Justice League C-listers fight Despero."  Not even a love for C-list characters, which I assure I possess, can make this a worthwhile read.  Distrust continues to ferment among the leaguers and the American government remains suspicious of the league too.  The art is all over the place as well, which is to be expected when no fewer than four people share art duties.  The Captain Marvel backup wasn't anything special this issue, but it was consistent, something I can't say about the primary story.   

-All Star Western #20 (Justin Gray, Jimmy Palmiotti, Moritat)
Time for some math: Cowboy from the 1800's + goofball hero from the future = ?  "Comedy gold" and "the best buddy cop duo of all time" are both acceptable answers.  Booster Gold and Jonah hex teaming-up is definitely something the world needs more of.  Things continue to get crazier from there.  A dwarf in a cage gets involved at some point, which surprisingly doesn't actually make the comic any more kinky or depraved than it already was.  At the end of the day it's still a damn fine western and a damn fine comic in general.
There's also a back-up story illustrated by Staz Johnson were the first words spoken are "Adam, if we don't stop Nosferata from completing the ritual, all of Arizona will be crawling with Apache Vampires."  Thus proving beyond a shadow of a doubt that All Star Western is the greatest comic DC is currently publishing.

Monkeybrain

-Subatomic Party Girls #1 (Chris Sims, Chad Bowers, Erica Henderson, Josh Krach)
In this inaugral issue the all girl power pop trio "Beryllium Steel" is launched into space.  Things go awry and our heroines end up fighting space pirates.  A band fights space pirates.  This is a love-it or hate-it kind of deal.  Macross 7 is one of my favorite cartoons, so it should come as no surprise that  my $0.99 was well spent on this comic.  While story itself is truly outrageous, it's the art that really elevates the comic and makes it out of this world.

-Knuckleheads #2 (Brian Winkeler, Robert Wilson IV, Jordan Boyd, Thomas Mauer)
Man fights giant monster.  Giant monster tries to eat a hot drunk English chick.  Man's roommate borrows pepper spray and a condom from a pizza man.  Roommate throws a condom filled with pepper spray at giant monster.  If you don't want to read that comic, then we can't be friends.