The Pull List: September 4, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Iron Man #15 (Kierron Gillen, Carlo Pagulayan)

Look, I was ready to make a crack about how this comic is currently poop, but being spared additional Greg Land interior work mellowed me out some.  This issue looks nicer than the previous couple, not that this is a hard thing to accomplish, however I very much appreciate looking at Pagulayan's power armors. It's still not a good comic as it seems this storyline has been going on forever.  Pacing and bizarre retcon choices have plagued Iron Man for a while now so I've come to just grudgingly accept them.  Introducing a giant robot and then doing absolutely nothing with it is a sin that cannot be ignored though.

-Superior Spider-Man #17 (Dan Slott, Ryan Stegman)

The Goblin subplot simmers in the background as Spider-Man 2099 decides to stop by and engage in some time shenanigans.  There's not much to say.  It's an inter-temporal crossover.  That's a concept you like or you don't, and I like.  I'm looking forward to seeing Stegman draw the inevitable fight between the two Spideys next issue.

The Pull List: August 21, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

It's been a while, but don't worry.  There'll be a post on the missing month of comics.  Right now though the focus is on the fresh stuff, if you count five days old as fresh.

Marvel

-Nova #7 (Zeb Wells, Paco Medina)

I'm a bit bitter that there's a new Nova, but Nova #7 is a great comic book.  The series has been mediocre so far, albeit fun.  Things are looking up in this issue as Nova learns some important lessons, like superheroes can't just barge into any situation and recognizing that New York City already gets too much attention in comics.  At one point I was complaining about the lack of superheroics in superhero comics, so having a book where someone is actually learning to be a hero is welcome.  This trend and the New Warriors tease are certainly reasons to celebrate.

-Superior Spider-Man #16 (Dan Slott, Humberto Ramos)

Things seem to be ramping up in the pages of Superior Spider-Man as each storyline that concludes organically flows into the next.  Doc Ock's tightening grip is also exposing more cracks in his attempts at playing hero. The capture of the Hobgoblin this issue was interesting, but I felt  the best parts of #16 were the hooks meant to get the reader interested in the next installment.

The Pull List: July 10, 2013

Welcome to the Giant Robot Week edition of the pull list.  There are two bonus entries in this edition of my weekly chronicle of the picture books I spend my money (hard-earned or ill-gotten) on.  Spoiler alert, like my previous posts on the subject hint at, giant robots are awesome.

Marvel

-Superior Spider-Man #13 (Dan Slott, Christos Gage, Giuseppe Camuncoli)

I don't want to give the impression that I'm not enjoying the current story of Superior Spider-Man, but I really wish there was a different Spider-Man storyline going on now.  In case you were unaware, the current Spider-Man is not heroic.  There's no other way to spin it.  If you want to have that debate then I welcome it, however the evidence is on my side.  That said, it's still an interesting comic book that I am happy to buy.

-Avengers Arena #12 (Dennis Hopeless, Kev Walker)

Yo, the writing in this comic is some straight garbage, like for real.  I only got to the first caption box on the 2nd page before I had to close the comic in disgust.  It's not the graphic murder of children that has got me down.  Instead it is the insinuation, however tenuous, that the reader is the bad guy for "watching (reading) to see what horrible thing might happen next."  Look, I didn't start reading this comic for the shock value.  I picked it up because characters I liked were in a comic book.  That they are being brutally killed is off-putting, so I'm concerned for their fictional wellbeing as well as the wellbeing as them as characters that continue to be published.  If Marvel wants to feed some actually interesting new characters that aren't established white males to some hack writer, that's their prerogative.  I just won't be around to give them my money for it anymore.  Poor Kev Walker, art of this caliber deserves writing that can match it.

-Daredevil #28 (Mark Waid, Javier Rodriguez)

Fortunately Mark Waid is still wrtiting Daredevil.  Unfortunately Chris Samnee didn't draw this issue.  Fortunately Javier Rodriguez makes some damn fine art.  From issue #1 Daredevil has been a comic that could get by on its art alone.  It hasn't had to do that though thanks to Waid's brilliant storytelling.  A new story arc begins this issue and it deals heavily with Daredevil's not-so-secret identity as Matt Murdock, lawyer extraordinaire.  For a comic with a lot of heart and human characters, look no further.

The Pull List: July 3, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Iron Man #12 (Kieron Gillen, Dale Eaglesham)

Just when I thought I was out, they pull me back in.  This "secret origin" stuff is a mess in Iron Man and legitimately a very infurriating addition to the characters back story.  That said, Howard Stark going all XCOM is something I've enjoyed in the past and will enjoy in the future.  An alien also makes reference to the Fresh Prince when he spots a fake(?) UFO.  The crux of my pulled-back-inness hinges on the closing reveal.  Tony stark is going to pilot a 25,000 foot giant robot named Godkiller.  I don't think I need to explain why that has piqued my interest.  Stupid retcons can't ruin this.  There is one man who could, though, so please Dale Eaglesham draw the next couple of issues.

-Avengers A.I. #1 (Sam Humphries, André Lima Araújo)

Hank Pym is cool, and if you don't agree may I direct you to a comic from last week that might change your mind.  Naturally I'm going to buy a comic book where he leads a team of robotic heroes in an attempt to usher in a new age of human-cyborg relations while averting the rise of a hostile artificial intelligence.  The debut issue is well paced and has some nice characterization going on for it so far.  The art is crisp and has a quality about it that is perfect for the mechanical subject matter.  The colors help make it pop too.  Magnificent sound effects warrant a special mention for Clayton Cowles' lettering.

-Avengers #15 (Jonathan Hickman, Nick Spencer, Stefano Caselli)

In case the last issue of Avengers wasn't vague enough for your tastes, Hickman and Spencer are right back to obfuscating things.  That's okay, since Caselli gets to draw the Avengers fighting a bunch of giant bugs and the obligatory triumphant group pose.  There's definitely a splash page of concentric circles.  I don't care if it's supposed to be two separate pages or not, there are rippling concentric circles on consecutive pages.  That's got to be one of the most Hickman things ever. 

DC

-Stormwatch #22 (Jim Starling, Yvel Guichet)

For the past three months I have struggled to understand what is going on in Stormwatch.  Little has changed except that this journey has taken a turn (not an unexpected one mind you) into madness.  The previous 3 issues have merely looked longingly towards that path, and as if compelled by the voice of "a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly,rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind" Starlin has taken the comic straight off the rails.  Make of that what you will.  

-Action Comics #22 (Scott Lobdell, Tyler Kirkham, Frank Hannah, Tom Derenick)

Action Comics remains caught in a talespin of worsening comics since Grant Morrison's departure after issue #18.  The Superman and Clark Kent presented on these pages isn't the least heroic Superman of the summer, but beating out Man of Steel is not worth bragging about.  Surely this isn't the kind of stuff that Lobdell has been bringing to the plain Superman comic, because if it is, yeesh, that is not something I'd spend money on.  I have to assume that the mediocre art turned in by Kirkham is a symptom of the bizarre creative shift and poor story.  There's some stupid Kryptonian backstory in the back-up too.

The Pull List: Two-In-One June 12 and 19, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Since there's a lot of ground to cover I'll try to be brief

Marvel

-Deadpool #11 (Brian Posehn, Gerry Duggan, Mike Hawthorne)

Hijinks continue to ensue as Deadpool runs down a creep who sold his soul so that he could perv out. The comedy action remains to hit the right beats and stay fresh.

-Wolverine and the X-Men #31 (Jason Aaron, Nick Bradshaw)

We get a look inside the Hellfire Academy for future evil mutants. Wolverine will eventually get his claws into this new Hellfire Club, and the way Aaron is building to it will make that moment so much sweeter.

-Guardians of the Galaxy #3 (Brian Michael Bendis, Steve McNiven, Sara Pichelli)

Decent story. Bad characterization. Cool drawings. Not so hot redesigns.

-Uncanny Avengers #9 (Rick Remender, Daniel Acuña)

I wonder if there are people reading this that didn't read Uncanny X-Force? Read that first if you haven't and catch up on this, because Remender is in for the glorious long haul.

-Superior Spider-Man #12 (Dan Slott, Christos Gage, Giuseppe Camuncoli)

Superior is still an interesting read, and it still is something I wouldn't hand to a kid who wants to read a Spider-Man comic.  Not necessarily because it is "mature," but because I want kids to see superheroes as heroic. Setting out to end someone's life is certainly not heroic (it can still make for a great comic if that's your thing).

The Pull List: June 5th, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Age of Ultron #9 (Brian Michael Bendis, Brandon Peterson, Carlos Pacheco)

Something actually happens this issue.  Not only that but it's probably one of the better issues of the series.  That bar might've been incredibly low, but it's the small victories that you remember in life.  What actually transpires in the plot isn't necessarily the best.  Many times it is even contradictory.  Such is to be expected when you have a confused Hank Pym talking to two Wolverines about the consequences of them murdering him.

-Thanos Rising #3 (Jason Aaron, Simone Bianchi)

At this point this comic is approaching comical levels of being bad.  I'll avoid using the "R" word.  It'd be fair to use it, but there are so many things this comic does terribly that nitpicking the continuity isn't even worth it. Not that you'd need to nitpick, as the errors on that front are glaring.  Bianchi dropped the ball too.  Previously the art was unbearable which is sadly better than what got published in this issue.  Ultimatum's un-venerable status is in jeopardy.

-Iron Man #11 (Kieron Gillen, Dale Eaglesham)

I sincerely hope that all of this "secret origin" stuff turns out to be a ruse, that it's all a fake out our false info, because otherwise this is very very wrong.  The individual issues that make up the total story arc will either live or die based on the conclusion.

-Avengers #13 (Jonathan Hickman, Nick Spencer, Mike Deodato)

Last issue saw a villain capture a group of strange children that the Avengers were protecting in the Savage Land.  Now it's time for a group of Avengers to find the evildoer.  They not only avenge the wrongdoings, but they heroically save the children.  Some have criticized Hickman's Avengers for not being heroic enough.  These past two issues prove a definitive counterpoint to such thoughts.  Thor's interactions with Hyperion delved into what it means to be a hero.  Whatever it means Hyperion is surely that, which makes it one of the better Superman comics I've read.

-Superior Spider-Man #11 (Dan Slott, Christos Gage, Giuseppe Camuncoli)

Spidey/Doc Ock is called on to witness the execution of a supervillian in case something goes wrong, which it will invariably do since this is a comic.  Supervillians on death row, why isn't that seen in comics more?  For every instance of Spider-Man now being superior there are equal instances of him just being a straight douchebag.  Seeing Doc Ock foil a villain's escape plans makes for a very entertaining comic. 

-Avengers Arena #10 (Dennis Hopeless, Riccardo Burchielli)

If dead goth gothic lolitas with protruding bones and missing limbs are your thing, then man do I have a comic for you.  If not then congratulations you aren't completely weird or creepy.  I really wish a number of characters I'm fond of weren't in this series, for a number of reasons.  Mainly so that my soul isn't being sold off in twice monthly payments of $2.99.  At this point outright piracy is probably the best course of action for fans of any of the remaining sacrificial lambs.

DC

-Action Comics #21 (Andy Diggle, Tony S. Danile; Frank Hannah, Philip Tan)

Part 3 of the Hybrid storyline closes out the arc in confusing and grand fashion.  Chronologically this issue is a bit more confusing than Grant Morrison's 18 issues, an impressive feat.  Confusing or not, Superman got to do battle with power-armored Lex Luthor.  It's drawn and coreographed/plotted well, though it does seem a bit rushed and out of nowhere.

There's a back-up story that fleshes out the backstory of Superman's Kryptonian parents.  It's not bad, but I'm just not interested in it.

-Stormwatch #21 (Jim Starlin, Yvel Guichet)

What is going on in this comic?  3 issues in and I'm still confused as hell.  Sure I can piece things together enough to guess at what is really going on, but that doesn't change that it still feels like I know nothing.  Which might be part of the mystique.  That seems doubtful though.  Starlin is a storyteller I have much faith in, and I'm banking on that to really pay off in the next issue.   

Valiant

-Archer & Armstrong #10 (Fred Van Lente, Pere Pérez)

Last week I mentioned that Fred Van Lente's (and Greg Pak's) Incredible Hercules was amazing.  It gets mentioned again this week because Archer & Armstrong channels that comic a lot more than G.I. Joe.  The titular duo are comprised of an immortal adventurer and a naive assasin, and their latest quest has them infiltrating Area 51. There they come across a program led by one General Redacted, which might be the greatest name for a general since Sheep in the Big City.  The buddy action comedy genre is a narrative pinnacle.  A pinnacle that this comic finds itself at the pinnacle of.

Image

-East of West #3 (Jonathan Hickman, Nick Dragotta, Frank Martin)

A few more details come to light this week as Death fights through Maoist forces in New Shanghai (San Francisco) to rescue his wife and the three other horsemen are hot on Death's trail.  Despite learning much about the setting and the narrative at hand, key info is still cloaked in mystery making the world of East of West still alien and full of intrigue.  Combining the setting and the narrative results in a story that commands attention.  The art more than keeps up as it gives familiar yet bizarre life to the ideas being put forth.  It's colored beautifully too I might add.    

Boom!

-Hypernaturals #12 (Dan Abnett, Andy Lanning, Tom Derenick, Andres Guinaldo)

I wish there were more issues of this comic coming.  That should be indicative enough of what I thought of this particular issue and comic as a whole.  The story resolves itself in a grand fashion, and that's all I'll say for fear of spoiling the story for the one other person that might give it a try.  Saying it was too good for this world might be hyperbole, but that's part of what Hypernaturals is about.  Hopefully Abnett and Lanning have another "superheroes in SPACE" story lined up, because the world needs them now more than ever.

The Pull List: May 29, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Captain America #7 (Rick Remender, John Romita Jr.)

How do you match Ed Brubaker's astonishing run on Captain America?  By making the first story arc of the Marvel NOW! series a far-out story pitting Captain against a crazy Nazi scientist in a dimension of his own making.  Things continue to race towards the conclusion as not only does Cap have to rescue his adopted son from a fortress full of crazy mutants, but he's also got to stop Arnim Zola from infecting the Earth with a virus that implants the consciousness of Arnim Zola in the victims.  Remender's been firing on all cylinders, and JR Jr. is showing why he's a big name in comics.  His flaws are still present and rear their head occasionally during slow scenes, which is a small price to pay to see him masterfully draw grandiose settings and stunning action scenes.  From the very beginning this has been one of my favorite Captain America stories, so I can't wait to see how it finishes up.

-New Avengers #6 (Jonathan Hickman, Steve Epting)

An illuminati of the world's heroes continue to delve into the mysteries of "the wheel" as they attempt to halt the destruction of their world.  Some of them also continue to question the morality of their actions.  Interesting things occur, things that I like.  That said, the comic is still trending in the "2deep4u" direction, which is a tough and perilous path to trod.  While the comic isn't for everyone, nor Hickman's best work, it is certainly something that keeps me intrigued and coming back for more.

-Wolverine and the X-Men #30 (Jason Aaron, Pasqual Ferry, Pepe Larraz, Salva Espin)

This issue proves to be a good jumping on point for new readers as it manages to take a few of the ongoing plot threads and weave them into a single cohesive story.  In that sense, it's a comic all about setting up the coming conflict between Wolverine's Jean Grey School and the Hellfire Academy.  Wolverine vs. Hellfire (insert establishment here) is certainly a comic that I will be buying.  Nothing particularly stands out, but the previously mentioned convergence of plot points is a hallmark of X-Men comics and their ensemble cast.

DC

-Adventures of Superman #1 (Jeff Parker, Chris Samnee, Justin Jordan, Riley, Rossmo)

This is a collection of three digital first stories.  First up is Parker and Samnee's little episode of Superman taking on a guy tweaking on super meth.  The plot and story are well done, but the best part is definitely Samnee's art.  He brings the Daredevil awesomeness along with him.

Next up is Jeff Lemire pulling writing and art duties.  Two kids are playing and one pretends to be Superman and the other has to be the villain.  Not only is it a good story, but it's a cool way to have Superman battle Braniac, Bizarro, Lex Luthor, the Parasite, General Zod, and Mr. Mxyzptlk in one go.  It culminates in the kid who played the villian this time to call dibs on Superman next time.  The first concedes on the grounds that he gets to be Doomsday, the villian notorious for killing Superman.  Some more banter occurs, and then the final bit of dialogue is as follows:

-"So?  It doesn't matter if he's more powerful or not.  I still get to win!"

-"Why?"

-"Because... Superman always wins"

The final story involves Superman trying to stop Bizarro.  Eventually it turns out it's all a big misunderstanding, since Bizarro says the opposite of what he means.  Superman helps Bizarro help people and the crisis is averted.  The entire comic, all three stories, is a comic for everybody.  Those that already like Superman should greatly enjoy how the man of steel is portrayed.  Those that don't necessarily get or like Superman would probably acquire a better understanding for the last son of Krypton and all he stands for.  Part of what he stands for is hope, something this book is full of. 

IDW

-G.I. Joe #4 (Fred Van Lente, Steve Kurth)

Few things are as near and dear to me as G.I. Joe, so it pains me to admit that I've been a bit lax with keeping up with the exploits of America's daring, highly-trained special mission force.  That changes now with the latest volume of the comic.  The  Joes are currently on a mission to take back a Cobra controlled town.  Things don't go well, but man is it a good comic.  The action is well thought out and executed very nicely.  Small comedic touches enhance the dire stakes, which in turn builds on the overall intensity of the tone.  Fred Van Lente's work on Incredible Hercules is a modern masterpiece, and he is a natural fit for the G.I. Joe franchise.  Despite a few stumbles with background/crowd art this comic has reignited my love for these real American heroes.

The Pull List: May 1, 2013

I read too many comics.  It's a habit that so far has only benefited my local comic shop.  That changes now as you can learn from the mistakes of my purchases, and perhaps even be intrigued to check out some of the cool picture books of the week.  There's always the option to make fun of my tastes, too.

Marvel

-Superior Spider-Man #9 (Dan Slott, Ryan Stegman)

Goddamn!  This is one intense issue.  One of the most important storytelling elements in superhero comics is putting the hero up against a credible threat.  The creators need to make the reader believe that the villain might triumph.  That has been a strong point of the Superior Spider-Man, but this issue takes it to an entirely different level.  Peter Parker and Doc Ock revealing their inner Spider-Men makes for a great visual.  The premise of Superior Spider-Man is still off-putting, but there is an interesting story to tell here.  

-Age of Ultron #7 (Brian Michael Bendis, Brandon Peterson, Carlos Pacheco)

Once again I find myself asking the question, "Why am I buying this comic?"  At this point I might as well see the story through to the end, even if the plot is barely paper thin.  Not even the art can save this book as it is nothing special and the lackluster set-ups don't even result in remotely interesting fights.  Overall this issue is just another mediocre entry in this horribly decompressed event.

-Thanos Rising #2 (Jason Aaron, Simone Bianchi)

After a rather disappointing first issue, I was trying to give this one a fair shake.  That's not going to happen when the first 2 pages of a 22 page comic that costs $4 is completely wasted.  The story told in those remaining 20 pages is an unnecessary mess.  There is no need to revisit and muck up Thanos' origin.  I've never been a fan of Bianchi's art.  This comic is pretty damn bad and Marvel would've been better off just reprinting old stories if they really wanted to push Thanos for movie appearances.


-Iron Man #9 (Kieron Gillen, Dale Eaglesham)

By the grace of some god Greg Land doesn't have art duties for this issue, so that's a plus.  However there is the banner of "The Secret Origin of Tony Stark" as well, which fills me with a sense if dread.  For the most part the comic plays to its strengths, no Land, and my tastes: robot space bounty hunters.  Eaglesham's art isn't anything groundbreaking. He draws a pretty great Death's Head though, and the panel bordering is neat.  This issue is an entirely serviceable story that tickles my fancy.  Until the end that is, when that whole "Secret Origin" bit rears its ugly head.  Hopefully my faith in Gillen is well placed and  this will all turn out to be a clever ruse.

DC

-Animal Man #20 (Jeff Lemire, John Paul Leon, Timothy Green II)

A story within a story is the premise of this one, and it all got very meta very quickly.  Lemire explores Animal Man's loss by examining his drive to be a hero while critiquing the fame for fame's sake reality television stars that dominate real-world entertainment.  The heavily inked art of the "fictional story" was well done and differed from the series' stylistic tone enough to stand out, yet not too much to be jarring.  There are stronger Animal Man issues out there, but one small road bump isn't too bad in the grand scheme of things as long as the entire story pulls together.

-Aquaman #19 (Geoff Johns, Paul Pelletier)

There are a lot of moving pieces and most of them are still being set up.  As "villainous" Ocean Master's actions were during the Throne of Atlantis crossover, his point about perspective and his actions merely being retaliatory are poignant.  It rings especially true because the majority of the time people are just straight up dicks to Aquaman.  The selling point of the book is the art.  Every underwater panel is a sight to behold as it captures the scope and subtleties of the ocean.  Also, Atlantean organ theft.

-Stormwatch #20 (Jim Starlin, Yvel Guichet)

Full disclosure: this is only the second issue of Stormwatch I've ever read (the first being #19).  Jim Starlin taking over writing duties is what drew me in.  The story is a bit confusing, but that is probably a symptom of my neophyte Stormwatcher status.  Proving that I am an equal opportunity hater of retooled origins, Lobo's new backstory is wack.  Sorry Starlin, just because Aaron messed up Thanos' origins doesn't mean you can screw with one of the greatest DC characters of all time.  As you can see below, one alien gets its head kicked clean off while on the opposite page one gets punched straight through its chest.  Stormwatch #21 is a confirmed purchase.

Stormwatch

-Action Comics #20 (Andy Diggle, Tony S. Daniel)

It's hard to live up to Grant Morrison's recently finished run on Action Comics (it concluded with #18).  Unsurprisingly, this issue fails to meet that lofty standard.  That's not to say this is a bad comic.  Coupled with the tumultuous situation with the creative team due to Diggle's premature departure means that this issue isn't as good as this series can and should be, at least from a writing standpoint.  Thankfully the book is still visually appealing.

Boom!

-Hypernaturals #11 (Dan Abnett, Andy Lanning, Tom Derenick, Andres Guinaldo)

This comic is at the bottom of my reading list because it never disappoints.  Hypernaturals continues to be a rock solid engaging tale of heroes protecting all of known space.  The current plot threads all seem to be coming to a climax and that invariably means things get crazy.  High concept deicide levels of crazy.  Though the art sometimes falls a bit flat during more mundane scenes it is consistent and performs beautifully once the action starts.  If big heroes fighting big threats is your thing, do yourself a favor and catch up on this book.

A Completely Unwarranted Deeper Analysis of Superman 64

Superman 64: general consensus was that it was an abomination of a game.  Have you ever stopped to wonder why, though? Sure, the first level involved you navigating Superman through  a series of hula hoops suspended in a pink sky.  Sure, the controls were more or less ass.  Sure, most people said enough of that shit and promptly returned the cartridge to Blockbuster.  The evidence all leads to the conclusion that this was a godawful videogame that should share an unmarked grave with E.T.  What this also proves, though, is that Superman really is one of the best superheroes ever created and is deserving of the title "Superman" in the Nietzscheian sense of the word (how the hell do you turn Nietzsche into an adjective, the dude might have been so dour because his last name is goddamn crazy).  That is because Superman always does the right thing and if faced with the task of playing a bad videogame to save his friends, nay anyone, then he would rise to the challenge in a single bound.

Hold onto your Rumble Paks

What led me to challenge the traditional opinion on Superman 64 was a discussion with a GameStop employee.  Somehow we began to discuss upcoming movies and he mentioned he was excited about the upcoming Superman film.  I concurred and mentioned that anything would be better than Superman Returns, and I facetiously added even Superman 64.  This statement was quickly rebuffed, but the thought had already entered my mind.  Unable to form a coherent argument for my controversial stance at the time has led me here, and hopefully others can join in on the enlightenment.

The flight, strength, and near-invincibility is hard for bad guys to adequately counter.  That is why Lex Luthor is Superman's iconic villain.  While Lex may trade blows with the son of Jor-El on occasion, Luthor is at his best when scheming and attacking Superman from other means besides frontal assault. In that respect, the floating rings of doom in hotdog-flavored air is one of the most evil machinations in all of the multiverse.  You cannot always have a pocketful of Kryptonite; sometimes you hold hostages and issue frustratingly tedious demands.