Showing posts with label Octavia E. Butler. Show all posts
Showing posts with label Octavia E. Butler. Show all posts

Tuesday, November 8, 2011

One last note on Portal & Lilith's Brood

After I posted my piece on the incredible similarities between Portal and Lilith's Brood, another thing hit me:

Neither Chell nor Lilith can exit their prison cell. They must wait for their captors to open doors or walls for them. Eventually, their captors give them this ability, but it's still limited compared to what the captors can do. Even with more "freedom," they're still both trapped.

Wednesday, November 2, 2011

Lilith's Brood through the portal of Portal

Alive!
Still alive.
Alive... again.

Are these the opening lines of Lilith's Brood? Or are they lyrics from iconic Portal theme song "Still Alive"? As I opened the book, all I could think about was Valve's sci-fi masterpiece. Little did I know these similarities were more than just skin-deep.


Lilith's Brood is about a strong female character held alone in confinement in a pristine cell by unseen, technologically advanced captors who she initially hears only through some sort of public address system. She begins the story by waking up from slumber--she can't remember how long she slept or how she got to this place. She wears clothing given to her by her captors. As she learns more, she discovers her captors are using her as an experiment, and already surgically "enhanced" her body before her journey even started.

Portal is about a strong female character held alone in confinement in a pristine cell by unseen, technologically advanced captors who she initially hears only through some sort of public address system. She begins the story by waking up from slumber--she can't remember how long she slept or how she got to this place. She wears clothing given to her by her captors. As she learns more, she discovers her captors are using her as an experiment, and already surgically "enhanced" her body before her journey even started.

The stories diverge slightly after the first few chapters, but these similarities are uncanny.

I can't wait to dicuss Portal in class.

Monday, October 24, 2011

Crappy romance novels and Lilith's Brood, or Why Book Covers Matter

The first thing I heard about Lilith's Brood was a disclaimer: don't judge this book by its crappy romance novel cover. A naked woman covering her breasts with her hands, under white sheets.

But this is a classic science-fiction trilogy, I thought to myself. I must perservere!

Despite my most valiant efforts, I can't get past this book cover. Covers make a huge first impression on prospective readers, and I've never understood why they go overlooked so often. Why does the moody painting on The Great Gatsby's cover have to have an unnecessary white box around it? Why can't authors stop their great novels with film adaptations from getting the obligatory movie poster cover?

Imagine if the Beatles hadn't had control over the cover of Sgt. Pepper's Lonely Hearts Club Band or Abbey Road. What about Jimi Hendrix's Axis: Bold as Love or Nirvana's Nevermind or A Tribe Called Quest's Midnight Marauders?

Even in today's music market where album sales are bottoming out and everyone buys 99-cent singles on iTunes, album covers make a difference. When Kanye West released his My Beautiful Dark Twisted Fantasy last year, its cover made perhaps more waves than the music itself. A huge controversy ensued, and regardless of what you think of Kanye's music, it's clear he cares about cover art.

Why can't literature be afforded the same artistic integrity? The most successful novels go through dozens of different book covers, hardly any of them with input from the authors themselves. Sometimes a writer like Shel Silverstein will fight tooth and nail to get exactly the artwork he wants, but then again, Silverstein was also the artist. It's tough for writers who just write.

So what about Lilith's Brood? The woman on the cover barely looks like how protagonist Lilith is described in the novel. The top of the photographed woman's head is blurred out--her only distinguishable traits are her curly hair and that ethnically, she's probably black.

The woman appears to be in a very sensual situation, but this is a disservice to the protagonist--Lilith is an empowered female character. The cover insinuates her sexuality should be front and center in the reader's mind.

Does this matter? Octavia E. Butler, the author, is a bit of an anomaly. In an industry full of nerdy white men, she was one of the only prominent African-American female sci-fi authors. Did Grand Central Publishing give Lilith's Brood a romance novel cover because they think men won't read a book written by a woman? Is the woman on the cover black simply because Butler was black?

At the end of the day, despite whatever cliché your teachers and parents may espouse, book covers matter. They're our portal into the world of the story, and it's a shame the publishing industry wants to make these portals as inconsequential as possible.